Saturday, 23 July 2011

Dell delivers business to business

 
Dell delivers business to business (B2B) transactions that allow your organization to lower their procurement costs. With a B2B solution, you can shop online from within your Enterprise Resource Planning (ERP) "procurement" application and return the contents of your shopping session back to your ERP system electronically. No longer are you required to enter duplicate information in order to purchase. The electronic requisition can now be routed through your standard ERP workflow where it can be approved electronically. Once this electronic requisition is approved, it can become an electronic purchase order and be transmitted instantly to Dell. These orders flow directly into Dell's manufacturing system where your orders are built immediately, saving you hours or days in processing time. This brings you the latest technology at the quickest pace.

http://www.twodollarclick.com/earnBanner.php?username=janooni02




Dell defines B2B Integration as server-to-server communication over the Internet integrating both systems and business processes to dramatically transform the way we conduct business with our partners, suppliers, and customers. By electronically integrating these processes, we not only benefit in process efficiency and information accuracy, we also increase our ability to respond and interact with each member of a business relationship.
Dell's has two objectives with its B2B integration initiative:
  1. To quickly integrate with customers who are capable today
  2. To help customers build a B2B solution for rapid deployment and connectivity



Dell has built a solution that extends its existing Internet infrastructure and E-Commerce capability to easily integrate with any customer who supports open, industry document standards of XML (such as cXML based on Ariba, xCBL based on Commerce One) and EDI. This allows Dell to provide the same customized catalog most customers use today with Premier Pages, and integrate this dynamic commerce functionality into their internal procurement systems.
If a customer is not currently capable of integrating their procurement systems and processes with their suppliers, Dell can provide the necessary hardware, software, and consultation to help build and deploy a solution that not only connects the customer to Dell, but one that can to connect to even other suppliers or customers.
Benefits:
  • Better align Dell with customer procurement processes
  • Ease the purchasing process and reduce errors by eliminating duplicate data entry
  • Reduce costs for clients by eliminating paper purchase order/fax processes
  • Reduce customer cycle times for ordering approval and payment
  • Process controls for shoppers versus buyers
For further information about how your company can do B2B, please speak to your account executive or sales representative.

Banking vs. Trading - Breaking into Wall Street

Banking vs. Trading - Breaking into Wall Street

I get a decent amount of email from readers who ask my opinion on various issues (poor, misguided souls), and one recent note hit on a theme that has been the source of many inquiries over the past six months - “Where should I start - banking or trading?” Some of the text from this catalytic email is as follows:

free web site traffic and promotion

I’ve read your blogs on how to succeed on Wall St. and also S&T vs IB and
have found them incredibly informative for someone in my situation. I noticed
that you’ve worked both in IB and in trading (and apparently all the shades in
between). Ironically, I’m facing the decision of choosing between trading and IB
right now; with an engineering undergrad, I have concerns that choosing trading
would pigeon-hole me fairly quickly into that area. While trading is certainly
something I want to do right now, I see myself doing something more along the
capital market side of things 7 or so years from now.

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I guess I’m
asking, given the stigma and the attitudes of these two fields, how hard was it
for you to personally move across the gradient? Without much experience in this
area, I would don’t really want to force myself into anyone area but on the
other hand, I think I could really enjoy doing trading for a few years.


********************
Great question. To which I provided the following answer:


I’d say, in
general, that it is hard if not impossible to move from banking into trading,
whereas the converse is not necessarily true. While I did “this” (banking into
trading) let me be clear: I have never actually traded. I have run massive
groups of traders and run large books of risk, but this is not trading. I was a
trading manager. Do I wish I had actually traded at some point? Yes. But once I
was a successful banker and derivatives pro was this ever going to happen? No.
So I’d say that if you’ve got the fire in your belly to give trading a shot, do
it first. Also, if you are worried about the “pigeon-holed” element, go into a
trading discipline that is at the intersection of trading and corporate
finance, like credit derivatives. This requires understanding companies as well
as markets, so it is kind of a cool area. FX trading, conversely, prepares you
for nothing beyond FX trading, except maybe FX structuring. The more
commodity-like the underlying asset, the less relevant the trading skills into
value-added disciplines. At the more complicated end of the continuum you’ve
got credit derivatives, mortgage-backed securites, etc. whereas at the other
end you’ve got FX trading, futures/bond/swap traders, etc. So these are my
thoughts. Hopefully they are useful. Hmmm, I may write a post about this.

After re-reading my answer, I’m sticking to it. If you are smart, hungry, quantitative and have the chance and desire to trade early in your career, take it. I’d argue that it is much harder to take this up later in life, particularly after you’ve become successful in other high-paying disciplines that don’t train you to trade, ergo, you’d come in as a shoe-shiner on a desk (if they’d even have you) and take a 97% pay cut for the privilege. It just doesn’t happen. And you know what, if you don’t go for it early on you’ll end up like me, as someone who will never know if he could trade and was too chicken to find out. And this sucks. Also, if you’ve never traded, whether fair or not, your credibility as a trading manager, regardless of your success in related areas (say, complex derivatives structuring and M&A, not that this is personal) will always be in question. Again, sucks. So this is a post about satisfaction and long-term happiness, not pure cash. Which is always the right way to think about stuff.


The other point is that if you do have the sense that capital markets, financial structuring or M&A might be areas of future interest, do pursue trading opportunities in more complex, less commodity-like asset classes like credit derivatives and mortgage-backed securities. In these areas you really need to understand the documents, the companies, credit, structuring, etc., not just the markets. You become conversant in issues of law, finance, capital structure, bankruptcy, rating agencies, and other non-trivial areas that prepare you for a career in banking later on. Besides, these are areas that will require smart people and not just machines for quite some time, whereas humans in the more commodity-like areas are rapidly being displaced by machines. And it wouldn’t be fun to be replaced by a machine.


Anyway, this is my advice to young people after searching my soul in the wake of my Wall Street career. It was great and fun, don’t get me wrong. But I will always be missing that little piece of the puzzle that says “I’ve traded.” And my asshole trading friends from the Street will always have this over me!

Tuesday, 19 July 2011

Effective Communication Skill

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Remedy for Nerves- You Should Know



Nervousness is produced by purely psychological means, it can be controlled by purely psychological means. This is a point which many speakers have not realized. Bleeding when you cut yourself is a physical event, and requires a physical cure such as a bandage. Nervousness has real enough physical manifestations, such as sweating, feeling sick, and trembling. But it has a purely mental cause; bandages won’t help nervousness, but ideas will.

In this article I am going to offer a series of ideas which will help you to see nervousness in perspective, and to control its effects. But in the end, the only cure for excessive nervousness is experience. And that is the most difficult thing to get if you are over nervous. The solution, as I suggested earlier in the chapter, is to set yourself less stressful speaking assignments for the first few times. As you gain experience, your nervousness will subside, and you will be able to face a large audience. But don’t be ambitious first time out; learner speakers should drive carefully. And when making your first trial runs, remember the points made in this section. Each will reduce nervousness to a level where you are able to start to speak; increasing experience will then get the problem finally under control.




The first idea which offers a ‘cure’ for nervousness is the realization that the effects of nerves can rarely be seen from the outside. You feel dreadfully exposed when standing in front of an audience, but the plain fact is that they can’t see what you feel inside; you are not made of perspex. It is almost always true that you look better than you feel. Like the ducks on the Bishop’s pond, you may be paddling like hell underneath, but on the surface all appears calm. Remember that most of the audience are quite some distance away. Your eyelid may be trembling, your knee cap jumping like a jack-in-the- box, and your stomach churning like a steam engine, but none of this is visible from a few feet away. The back row can see nothing; even the front row can see little of what is really going on inside. So providing you prevent yourself pacing up and down, or waving your arms about randomly, you will appear to be calm, even if you are not.

Nervous speakers can rationalize their nervousness by thinking about the real situation they are in. Think about the audience as people, their motives, their hopes, and their interests; it will help focus your attention on realities, rather than your lurking fears. Here are six reflections which will help you gain this perspective:
  1. It is an undoubted fact that an audience is made uncomfortable by a nervous speaker. There is a strong empathy between speaker and listener. One of the great showmen of speaking, Dale Carnegie, encapsulated this point in his dictum: ‘I’m OK, you’re OK.’ Making yourself relax is a kindness to them as well. Think of yourself as helping them, and you will feel they are helping you.
  2. Remember that the audience is not hostile. You were asked to speak, therefore they do want to know what you have to say. You are welcomed, since in effect, the audience has initiated the conversation by asking your opinion on a subject. They want to learn for their own benefit, and your job is to help. You also have the power of novelty, for they certainly haven’t heard it before, at least not your way.
  3. Remember that you are much more awake than they are, and much more self-critical. Therefore you are much more aware of errors and pauses than they are. What seemed like a dreadful mistake to you, was probably almost unnoticed by them. It may take them several minutes to become aware that something you said was peculiar. If you calmly correct the mistake, they will hardly realize you made it. Pauses, too, are perceived differently by speaker and listener. The audience is living on a different time scale, and what seems like eternity to the speaker may be barely noticeable to the listeners.
  4. They are going to be more embarrassed than you, if the worst happens and the talk collapses. It is only kindness to them, then, to keep going. Realizing that they are more frightened of failure than you are, makes it easier to be sensible. So try to keep the talk in order, for their sake.
  5. An audience is naturally well disposed and sympathetic. Speakers are frightened of audiences because they imagine them to be composed of cruel ogres, who take malicious pleasure in failure, and sadistic delight in mocking errors. You may be surprised to know, if you are nervous, that this is not the case. Audiences feel involved with the success of the presentation, and the natural kindness of people is increased by their concern that everything should go well.
  6. Even if everything does go wrong, they can’t (and won’t) actually shoot you. It’s worth seeing your nervousness in perspective: what do you expect to happen if you make a mistake? The fact is that in many years of watching and teaching effective speaking I have never once heard derisive laughter. If the speaker is nervous, and makes mistakes, there is a sense of concern, and support from the listeners. The penalties for mistakes are very small, and most mistakes seem much bigger to the speaker than to the listeners, who may hardly notice. Don’t worry: it is not as bad as that!
In summary, one important cure for nervousness is to see what you are afraid of in a true perspective. Don’t think of the audience as hostile and frightening: talk to them as individuals, and think of them as a collection of people. You would not feel that bad about talking to any one of them alone. Follow Machiavelli, ‘divide and rule’. Remember that anxiety is usually at its peak just before you start talking. Once you are under way, you have to concentrate on what you are saying, and you forget about yourself. The keys are seeing the situation in perspective, careful preparation, and a realistic assessment of the audience. Providing you don’t try to put on an elaborate front which you cannot sustain, nothing is likely to go wrong.

There remain, however, people whose misfortune is being over nervous, and who find simple rational self-control little help. In some cases this over sensitivity is genetic, in some cases it is due to bad experiences, such as too much hostility and teasing from school mates (perhaps because of a temporary problem—a stammer, a lisp, or a silly mother). Whatever the cause, there is no doubt that there are many people who cannot get on top of their nervousness by rationalization.

They undoubtedly have an additional burden. Sartre once said that no one was born a coward, and everyone had the choice of whether he was going to be a coward or not. Nature endowed some people with a more lively sense of fear, and these people undoubtedly had more to triumph over in order to be brave. But nature had not made them cowards as such; that was solely, and only, their own choice. It is a stern lesson. If you are over nervous, it does not mean you cannot be a successful speaker, it merely means you have more work to do.

You might also like:

 


Remedy for Nerves- You Should Know



Nervousness is produced by purely psychological means, it can be controlled by purely psychological means. This is a point which many speakers have not realized. Bleeding when you cut yourself is a physical event, and requires a physical cure such as a bandage. Nervousness has real enough physical manifestations, such as sweating, feeling sick, and trembling. But it has a purely mental cause; bandages won’t help nervousness, but ideas will.

In this article I am going to offer a series of ideas which will help you to see nervousness in perspective, and to control its effects. But in the end, the only cure for excessive nervousness is experience. And that is the most difficult thing to get if you are over nervous. The solution, as I suggested earlier in the chapter, is to set yourself less stressful speaking assignments for the first few times. As you gain experience, your nervousness will subside, and you will be able to face a large audience. But don’t be ambitious first time out; learner speakers should drive carefully. And when making your first trial runs, remember the points made in this section. Each will reduce nervousness to a level where you are able to start to speak; increasing experience will then get the problem finally under control.

The first idea which offers a ‘cure’ for nervousness is the realization that the effects of nerves can rarely be seen from the outside. You feel dreadfully exposed when standing in front of an audience, but the plain fact is that they can’t see what you feel inside; you are not made of perspex. It is almost always true that you look better than you feel. Like the ducks on the Bishop’s pond, you may be paddling like hell underneath, but on the surface all appears calm. Remember that most of the audience are quite some distance away. Your eyelid may be trembling, your knee cap jumping like a jack-in-the- box, and your stomach churning like a steam engine, but none of this is visible from a few feet away. The back row can see nothing; even the front row can see little of what is really going on inside. So providing you prevent yourself pacing up and down, or waving your arms about randomly, you will appear to be calm, even if you are not.

Nervous speakers can rationalize their nervousness by thinking about the real situation they are in. Think about the audience as people, their motives, their hopes, and their interests; it will help focus your attention on realities, rather than your lurking fears. Here are six reflections which will help you gain this perspective:
  1. It is an undoubted fact that an audience is made uncomfortable by a nervous speaker. There is a strong empathy between speaker and listener. One of the great showmen of speaking, Dale Carnegie, encapsulated this point in his dictum: ‘I’m OK, you’re OK.’ Making yourself relax is a kindness to them as well. Think of yourself as helping them, and you will feel they are helping you.
  2. Remember that the audience is not hostile. You were asked to speak, therefore they do want to know what you have to say. You are welcomed, since in effect, the audience has initiated the conversation by asking your opinion on a subject. They want to learn for their own benefit, and your job is to help. You also have the power of novelty, for they certainly haven’t heard it before, at least not your way.
  3. Remember that you are much more awake than they are, and much more self-critical. Therefore you are much more aware of errors and pauses than they are. What seemed like a dreadful mistake to you, was probably almost unnoticed by them. It may take them several minutes to become aware that something you said was peculiar. If you calmly correct the mistake, they will hardly realize you made it. Pauses, too, are perceived differently by speaker and listener. The audience is living on a different time scale, and what seems like eternity to the speaker may be barely noticeable to the listeners.
  4. They are going to be more embarrassed than you, if the worst happens and the talk collapses. It is only kindness to them, then, to keep going. Realizing that they are more frightened of failure than you are, makes it easier to be sensible. So try to keep the talk in order, for their sake.
  5. An audience is naturally well disposed and sympathetic. Speakers are frightened of audiences because they imagine them to be composed of cruel ogres, who take malicious pleasure in failure, and sadistic delight in mocking errors. You may be surprised to know, if you are nervous, that this is not the case. Audiences feel involved with the success of the presentation, and the natural kindness of people is increased by their concern that everything should go well.
  6. Even if everything does go wrong, they can’t (and won’t) actually shoot you. It’s worth seeing your nervousness in perspective: what do you expect to happen if you make a mistake? The fact is that in many years of watching and teaching effective speaking I have never once heard derisive laughter. If the speaker is nervous, and makes mistakes, there is a sense of concern, and support from the listeners. The penalties for mistakes are very small, and most mistakes seem much bigger to the speaker than to the listeners, who may hardly notice. Don’t worry: it is not as bad as that!
In summary, one important cure for nervousness is to see what you are afraid of in a true perspective. Don’t think of the audience as hostile and frightening: talk to them as individuals, and think of them as a collection of people. You would not feel that bad about talking to any one of them alone. Follow Machiavelli, ‘divide and rule’. Remember that anxiety is usually at its peak just before you start talking. Once you are under way, you have to concentrate on what you are saying, and you forget about yourself. The keys are seeing the situation in perspective, careful preparation, and a realistic assessment of the audience. Providing you don’t try to put on an elaborate front which you cannot sustain, nothing is likely to go wrong.

There remain, however, people whose misfortune is being over nervous, and who find simple rational self-control little help. In some cases this over sensitivity is genetic, in some cases it is due to bad experiences, such as too much hostility and teasing from school mates (perhaps because of a temporary problem—a stammer, a lisp, or a silly mother). Whatever the cause, there is no doubt that there are many people who cannot get on top of their nervousness by rationalization.

They undoubtedly have an additional burden. Sartre once said that no one was born a coward, and everyone had the choice of whether he was going to be a coward or not. Nature endowed some people with a more lively sense of fear, and these people undoubtedly had more to triumph over in order to be brave. But nature had not made them cowards as such; that was solely, and only, their own choice. It is a stern lesson. If you are over nervous, it does not mean you cannot be a successful speaker, it merely means you have more work to do.


Nerves And The Audience- The Inter-relation



The audience is disturbed by nervousness, as well as the speaker. There are two distinct ways in which the audience is affected; their judgement of the competence and subject knowledge of the speaker is affected by his or her nervousness (i.e. ‘Why is he nervous if he knows what he’s talking about?’): and their sympathy and concern are aroused by watching someone who is nervous (‘The poor person is miserable!’).

Firstly, the audience’s judgement of the speaker’s competence is affected by nervousness. The audience interpret the validity of the message depending on their perception of the assurance of the speaker. It is natural to feel that someone who knows what he or she is talking about, shows it in the confidence of his or her manner. So if a speaker is nervous the audience subconsciously feel it is because he or she does not know the subject properly.

There are two components to this: firstly, of course, it is difficult for an audience to realize how frightening they appear to the speaker. If a listener is sitting quietly in a chair, he does not feel very frightening! And he is not really aware of everyone else around him in the same way as the speaker is. So it is very difficult for him to understand why anyone should be nervous about talking to him. The listener tends to think that the speaker’s nervousness must have some other explanation. Secondly, people who are not telling the truth are often nervous. Whereas this is not true of competent tricksters, and there are many other reasons why people are nervous, the unconscious effect of evident nervousness on the audience may be to make them suspicious. Consciously they may be sympathetic, underneath they find their confidence in the message undermined.

So nerves can affect the credibility of a speaker. Studies show that ‘expressed confidence’ (i.e. using confidence asserting phrases such as ‘I am sure…’, ‘I have no doubt that…’), as well as confident behaviour, affects the amount an audience is persuaded by a speaker. It is also easier to listen to a speaker whom you believe to be an expert—there is a subtle sense of time well spent. Whereas listening to someone whom you suspect does not know what he or she is talking about is difficult, because it may be wasted.

For these reasons, nervousness in a speaker affects the benefit the audience gets from a talk. The speaker’s credibility is reduced if he is obviously nervous, and the audience enjoy the talk less. How do the audience know if the speaker is nervous? There are both obvious, and subconscious ways in which an audience perceives nervousness. The subconscious ways depend on non-verbal communication; but also on a phenomenon which has only recently been discovered. Stress shows in a speaker’s voice by signals which are beyond our conscious perception. Listeners are sensitive to the presence or absence of inherent micro-tremors in the speaker’s vocal pitch. All voice patterns include an individual and unique level of micro-tremor (similar in many ways to fingerprints). When someone is placed under stress there is a marked drop in the frequency of vocal micro-tremors, which is registered by the listener. This phenomenon has been used to construct lie detectors, and it may explain why we sense if someone is telling the truth or not. To us it seems like a magic fifth sense, because we are unaware of the physical basis of the evidence, but through micro-tremors, we can judge just how nervous the speaker is.

As well as these unconscious channels of communication, there are many visible signs of nervousness. The basic sign is an inability to stand still when talking:

When a person is emotionally aroused he produces diffuse, apparently pointless, bodily movements. A nervous lecturer may work as hard as a manual labourer. More specific emotions produce particular gestures—fist-clenching (aggression), face- touching (anxiety), scratching (self-blame), forehead-wiping (tiredness) etc… An anxious person tends to talk faster than normal and at a higher pitch.

All these signs will communicate the speaker’s nervousness to the audience. It is such signals which make a listener say, ‘you can hear him sweating with thinking’. They can be controlled, of course, and they ought to be controlled if the audience is to be comfortable. Nothing is more distressing than seeing another person going through a purgatory of anxiety. Out of sheer kindness to your listeners, you should try to damp down the amount of random movement you make. Calmness in the speaker, even if created by conscious self-control, is reassuring and relaxing to the listeners.

Saturday, September 5, 2009


Coping with nerves: the credibility problem


Nervousness is probably the biggest problem to be surmounted for most inexperienced speakers. Were it not for nervousness, common sense, and normal intelligence, would ensure that most talks were interesting and well planned. But nervousness seems to disable common sense, and normal intelligence gets swamped by anxiety. A blog like this is needed just because speakers get nervous. Like a rabbit caught in a car’s headlights, they don’t know which way to run. All sorts of bizarre behavior results, unless there are firm guide lines. Like clinging to the wreckage in a storm, any fragment of advice gives security. Even if the speaker doesn’t feel at all like smiling, for example, the knowledge that he or she ought to smile is enough to make them feel that they are doing the right thing.

Nervousness is a very real problem, and is the root of most of the other problems with speaking. We all talk competently in a group of friends, but as soon as the group of friends becomes a wall of strangers, nervousness usurps our every-day competence, and we need the prop of advice.

Unfortunately, many experts on speaking dismiss nervousness as not worth discussing. Like laziness, or cowardice, these blog seem to imply that it is something to be ashamed of, and certainly not something to be discussed. The speaker may be jollied along with advice like ‘Don’t worry’, or ‘It’ll be all right’. He or she is given the impression that nervousness, like incontinence, is something which is better not thought about. It will go away if you ignore it, and if not, there’s nothing to be done about it. Nervousness is beyond help, these books seem to imply, and only courage will overcome it. Good chaps put a brave face on it, and never mention it to other chaps.

Sadly, all this hearty pretense is no help; it merely increases the sufferer’s sense of his or her own inadequacy. It is also cruel: extreme nervousness is one of the most unpleasant experiences most civilized people go through. It is a form of physical and mental suffering which is unparalleled. Extreme misery, anguished anxiety, and even physical nausea are added to shame and a sense of inadequacy. Embarrassment is the least of the suffering. It may take weeks, months even to get over the misery caused by a catastrophic failure to cope with nervousness. The speaker may go through savage reassessments of his or her abilities as a result of ruining a presentation through nerves. Undoubtedly, nervousness is a serious problem; it needs careful and considered help.

Nervousness can be helped, and eventually reduced to manageable proportions. It is, after all, a purely mental phenomenon. Attitudes, and knowledge about the cause and function of the anxiety, advice about how to reduce it, and experience which renders the terrifying familiar, are the clues. Much of the work on nervousness has been done by musicians: talented young musicians find the intricate dexterity required to play their instruments turned into clumsiness in front of judges and audiences. Since it is clearly a waste, musicians have studied the problems of tension in performance. Speakers, who have similar problems, can benefit from the knowledge and techniques gained from these studies.

The first thing to learn about nervousness is that it is universal. Every nervous speaker thinks that he or she is the only one in the world to suffer. Compared with the calm competence of every one else, he or she feels their own shameful failure as a personal inadequacy. The truth is that nervousness when facing an audience is very common. Almost everyone suffers from nerves, even experienced professionals, and the reason why we are not aware of this is simply that the basic effect of nerves doesn’t show. Providing the gestures are controlled, butterflies in the stomach are invisible to the audience. So the calm and confident speaker you watched with envy, was almost certainly trembling like a leaf inside: you just couldn’t see it.

It is a good thing that speakers are nervous. Contrary to popular belief, the calm and controlled speaker is acting, he or she is disguising nervousness in a practised simulation of indifference. If he or she were really not nervous, there would be no energy to give the talk: nerves are useful to the speaker, without them he would go to sleep. Even people who make their living from appearing in front of audiences—actors, comedians, performers—are nervous just before going on stage. They rely on these nerves to give them the boost of energy which makes them sparkle. And the shot of adrenalin they get becomes a fix. It is something they can’t do without, and is probably why these people love the stage experience so much. Nervousness is a useful, and essential part of performance, not something to worry about or be ashamed of. The art of effective speaking is not ceasing to be nervous; it is using the nervous energy to improve the talk. Standing up and speaking requires a great deal of effort: the slight lift given by nervousness arouses our energies.

If you feel you have an unusually nervous disposition, you may be surprised to know that you are not alone. Such sensitivity is common; psychologists calculate that: ‘Between five and eight per cent of the population are unduly anxious.’ Knowing that you are not alone doesn’t change the fact that you are nervous, but it should give you hope that your nervousness can be conquered. One of the more unpleasant features of being very nervous is a sense of isolation, and
the fear of shame if others see that you are nervous. Take heart, there is nothing especially unusual in being highly sensitive, and you are far from alone. Almost certainly, there are compensating advantages in your higher than average levels of arousal, and sensitive response to anxiety. Highly nervous people, for instance, are often of above average intelligence. It is possible to apply this intelligence to solving the problem of nervousness by learning about it, and applying the results of research. The higher sensitivity is also compensated by greater alertness, and awareness of audience reactions. It sounds paradoxical, but is none the less true. Nervous people usually make good speakers, once they have tamed and applied their nervousness.

Friday, August 21, 2009


Note Taking Habit- A Great Help For The Speaker


One of the first problems a speaker faces when he or she starts to prepare his presentation in earnest, is how is he going to record it so that he is reminded as he talks? In other words, what sort of notes is he going to make? Nine times out of ten, this question is never considered. Some sort of notes are produced, usually depending on factors such as what other people have been seen to do, what sort of notes were used at school, and sheer chance. Notes to speak from seem just to happen, without thought, and the speaker muddles through. Poor notes, however, are an added strain when talking, and can cause you to miss sections of the talk, lose the place, and dry up. So it is worth thinking about the best way of taking notes. As with everything to do with speaking, a little thought in advance saves a deal of embarrassment and confusion on the day.

Notes are to help you

The notes you make are the most important insurance policy for the success of the talk. The product of the preparation stages is a set of notes, and they represent the only permanent part of the talk. Speaking is ephemeral, while notes endure. But notes are not the whole talk. You will find, as you talk, that ideas and facts from the work you did in preparation will come back to you, and you may decide, impromptu, to use a piece of information which you did not put in the notes. There is nothing wrong in this: the purpose of a talk is to say what you know about a subject, and notes are for assistance, not to replace knowledge.

The main advantage of good notes is to ensure that you do not forget what you intend to say. A great deal of research has been done on memory (there are many specialist textbooks on memory, for instance), and one of the most consistent results is that stress affects memory. Its usual effect is to make us forget important things, but stress can also cause complete black-outs of memory, as well as causing sudden vivid reminding about things previously buried in the subconscious. The effect of stress is unpredictable: it makes memory irrational and random. And the speaker is under as much stress as most people experience in their day to day lives. It is therefore especially important that he or she takes steps to compensate for the erratic and unreliable performance of the memory under stress.

Some people are unfortunate enough to go completely numb and silent when facing an audience—their memory switches off. The brain processes that operate recall are notoriously out of reach of the will power. We are quite unaware of the process of laying down memories, we feel no pain, no sense of effort, and no sense of choice. We can only predict, in a fairly random way, what we will find memorable, and what we are likely to forget completely. Brain specialists believe that quite large parts of the grey matter are involved in the recording and recall of memories, just as we now know that huge parts of the brain are involved in decoding the information from our retinas, before passing it on to the conscious part of the brain. But we are not aware of the process of stereoscopic vision, just as we have no consciousness of the processes of memory. We often need some object to remind us; notes are a kind of external memory that is under conscious control. Notes jog your memory, and produce what the audience perceives as a fertile flow of ideas and enthusiasm.

Some people, instead of seizing up in front of an audience, become uncontrollably garrulous under strain. They always find plenty to say; the trouble is that it may, or may not, be relevant. Good notes are just as important for this kind of person. The art of good talking is not just to fill the allotted time; it is to use the time wisely to say as much as possible that is useful and necessary. The most useful function of notes is not just to remind you of the material, but to give it structure. They provide a plan or map of the structure of the talk.

Notes are the main way in which the content and structure of the talk can be controlled. Without notes, most talks are formless ramblings. With notes they can be an orderly set of points, with a clear sequence and coherence which the audience can rely on. Notes should not be thought of just as bits of information to fill the time. Notes are like pigeon holes, into which the subject can be fitted. But the notes are not the pigeons. The facts, ideas, information and anecdotes will come from the speaker’s memory; he or she, after all, is the expert on the subject, and the talk will be more interesting if it is spontaneous and anecdotal. The notes provide the structure of categories, the wood round the pigeon holes, to continue the metaphor, which controls and shapes this flow of information, knowledge, and stories. For this reason, notes should have a prominent and logical sequence of headings. Because their main function is structural, they can also contain cues, quotations, jokes, signposts, and stage directions such as when to stand up, sit down, move to the board, and change to a new topic.

Notes, therefore, should not be a version of the full information. The details are much more interesting, and convincing, if they come directly from the speaker’s memory. The speaker should be like someone engaged in earnest, animated conversation, anxious to tell his listeners about all the facts and ideas he has at his finger tips. If the notes are a dense maze of factual material, he will become more like someone saying his lessons. So notes should be the mere prompting, the skeleton, on which the talk can be built. All sorts of information can form these promptings; but they should consist of thoughts, keywords, and headings, not full sentences.

Wednesday, August 19, 2009


Spoken Language is Not Written Language.


Spoken language has two other important differences from written language. Firstly, speaking uses much repetition. The typical way of explaining, amplifying, and exploring a point is to add an extra phrase in a sort of phonological bracket. By dropping or raising the voice, it is made clear to the listener that the information is a sort of sideline, or footnote, which is meant to clarify what is being said, rather than introduce a new point. Speakers also tend to restart sentences in different ways, trying to get across what they mean by different routes, and when they feel the point is clear, not bothering to complete or tidy up what they have started to say. There is also much trying out of different words, and rhetorical repetition for emphasis. All these features contribute to the muscular, flexible, and alert feeling of spoken language. It is like a living contact with the mind of the speaker, whereas written language is a fossil record of his or her thoughts.

The second way in which spoken language differs from written language is that the choice of vocabulary is very different. Written vocabulary is formal, and explicit. Spoken vocabulary tends to be familiar, and everyday. Indeed, it is usually possible to get someone to simplify and clarify a tortuous written sentence by asking him to look away from the page, and say what he means. A writer who has solemnly written: ‘Tests were conducted on the loader to ascertain the maximum failure capacity’, when asked what he meant, would say something like: ‘We loaded it up until the cable broke’; a simpler, and clearer, way of explaining a technical point.

Writers, then, use formal grammar, single expressions, and elaborate, abstract vocabulary: speakers use intonation, repeat things until they are clear, and use everyday words. There are great differences between spoken and written language, and when written language is read out, it is less effective. I am not suggesting that there is a difference of worth, between written and spoken language. They are simply used for different purposes; one is to communicate face to face, the other communicates remotely. Misusing the difference is one cause of boring presentations. It you read out written language, your voice will naturally lack intonation. The structure of what you say will be over formal, and the vocabulary will be too abstract. This is why listening to written papers being read out is so difficult. The listener gets no sense of contact with the speaker’s mind—there seems to be a wall of fog between the living mind of the speaker, and the listener.

Written language often sounds false and clumsy when it is read out, and what I have said in the last few paragraphs should explain why. The added problem is that many people are poor readers; their reading voices are stumbling and monotonous. It is possible to read written text in an interesting way—actors do it constantly—but it requires great skill. It is certainly not to be recommended as a way of giving a technical or informative presentation.

Another disadvantage of reading is that the presenter loses eye contact with the audience. Because he or she has to follow the text, it is impossible to do more than glance up at his listeners from time to time, whereas someone speaking spontaneously will naturally be looking round at the listeners. When reading, a presenter also loses the chance to make gestures and arm movements, which are naturally suppressed when reading from a script because they seem artificial. None-the-less reading a written text is a method often used. It is one I don’t recommend. In all but exceptional circumstances, it is a sure way of losing the attention and interest of the audience. It is an expensive way of buying the confidence that you won’t forget what you are going to say. You may not forget, but the audience almost certainly will.

If you are terrified of forgetting what to say, there is a compromise which helps boost confidence, by providing safety points to return to if the impromptu flow of words breaks down. The technique is to write down the opening and closing sentences, as well as sections within the speech, for use in the case of emergencies. By providing islands of security, you will increase your self-confidence. It also provides natural resting places, and if the worst happens, and you dry up, there is something to say while you are finding your feet again. But don’t write down more than a few sentences, otherwise the whole talk will acquire the monotonous flavour of the written script. The first sentence of each new topic, and the conclusion of each section, is as far as you should go. In between, use ordinary notes.

Overview of the Global System for Mobile Communications

History of GSM

During the early 1980s, analog cellular telephone systems were experiencing rapid growth in Europe, particularly in Scandinavia and the United Kingdom, but also in France and Germany. Each country developed its own system, which was incompatible with everyone else's in equipment and operation. This was an undesirable situation, because not only was the mobile equipment limited to operation within national boundaries, which in a unified Europe were increasingly unimportant, but there was also a very limited market for each type of equipment, so economies of scale and the subsequent savings could not be realized.
The Europeans realized this early on, and in 1982 the Conference of European Posts and Telegraphs (CEPT) formed a study group called the Groupe Spécial Mobile (GSM) to study and develop a pan-European public land mobile system. The proposed system had to meet certain criteria:
  • Good subjective speech quality
  • Low terminal and service cost
  • Support for international roaming
  • Ability to support handheld terminals
  • Support for range of new services and facilities
  • Spectral efficiency
  • ISDN compatibility


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In 1989, GSM responsibility was transferred to the European Telecommunication Standards Institute (ETSI), and phase I of the GSM specifications were published in 1990. Commercial service was started in mid-1991, and by 1993 there were 36 GSM networks in 22 countries [6]. Although standardized in Europe, GSM is not only a European standard. Over 200 GSM networks (including DCS1800 and PCS1900) are operational in 110 countries around the world. In the beginning of 1994, there were 1.3 million subscribers worldwide [18], which had grown to more than 55 million by October 1997. With North America making a delayed entry into the GSM field with a derivative of GSM called PCS1900, GSM systems exist on every continent, and the acronym GSM now aptly stands for Global System for Mobile communications.
The developers of GSM chose an unproven (at the time) digital system, as opposed to the then-standard analog cellular systems like AMPS in the United States and TACS in the United Kingdom. They had faith that advancements in compression algorithms and digital signal processors would allow the fulfillment of the original criteria and the continual improvement of the system in terms of quality and cost. The over 8000 pages of GSM recommendations try to allow flexibility and competitive innovation among suppliers, but provide enough standardization to guarantee proper interworking between the components of the system. This is done by providing functional and interface descriptions for each of the functional entities defined in the system.


Services provided by GSM

From the beginning, the planners of GSM wanted ISDN compatibility in terms of the services offered and the control signalling used. However, radio transmission limitations, in terms of bandwidth and cost, do not allow the standard ISDN B-channel bit rate of 64 kbps to be practically achieved.
Using the ITU-T definitions, telecommunication services can be divided into bearer services, teleservices, and supplementary services. The most basic teleservice supported by GSM is telephony. As with all other communications, speech is digitally encoded and transmitted through the GSM network as a digital stream. There is also an emergency service, where the nearest emergency-service provider is notified by dialing three digits (similar to 911).
A variety of data services is offered. GSM users can send and receive data, at rates up to 9600 bps, to users on POTS (Plain Old Telephone Service), ISDN, Packet Switched Public Data Networks, and Circuit Switched Public Data Networks using a variety of access methods and protocols, such as X.25 or X.32. Since GSM is a digital network, a modem is not required between the user and GSM network, although an audio modem is required inside the GSM network to interwork with POTS.
Other data services include Group 3 facsimile, as described in ITU-T recommendation T.30, which is supported by use of an appropriate fax adaptor. A unique feature of GSM, not found in older analog systems, is the Short Message Service (SMS). SMS is a bidirectional service for short alphanumeric (up to 160 bytes) messages. Messages are transported in a store-and-forward fashion. For point-to-point SMS, a message can be sent to another subscriber to the service, and an acknowledgement of receipt is provided to the sender. SMS can also be used in a cell-broadcast mode, for sending messages such as traffic updates or news updates. Messages can also be stored in the SIM card for later retrieval [2].


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Supplementary services are provided on top of teleservices or bearer services. In the current (Phase I) specifications, they include several forms of call forward (such as call forwarding when the mobile subscriber is unreachable by the network), and call barring of outgoing or incoming calls, for example when roaming in another country. Many additional supplementary services will be provided in the Phase 2 specifications, such as caller identification, call waiting, multi-party conversations.

Architecture of the GSM network

A GSM network is composed of several functional entities, whose functions and interfaces are specified. Figure 1 shows the layout of a generic GSM network. The GSM network can be divided into three broad parts. The Mobile Station is carried by the subscriber. The Base Station Subsystem controls the radio link with the Mobile Station. The Network Subsystem, the main part of which is the Mobile services Switching Center (MSC), performs the switching of calls between the mobile users, and between mobile and fixed network users. The MSC also handles the mobility management operations. Not shown is the Operations and Maintenance Center, which oversees the proper operation and setup of the network. The Mobile Station and the Base Station Subsystem communicate across the Um interface, also known as the air interface or radio link. The Base Station Subsystem communicates with the Mobile services Switching Center across the A interface.

Figure 1. General architecture of a GSM network

Energy Crisis and Pakistan

Energy Crisis and Pakistan

An energy crisis is any great shortfall (or price rise) in the supply of energy resources to an economy. It usually refers to the shortage of oil and additionally to electricity or other natural resources.
The crisis often has effects on the rest of the economy, with many recessions being caused by an energy crisis in some form. In particular, the production costs of electricity rise, which raises manufacturing costs.
For the consumer, the price of gasoline (petrol) and diesel for cars and other vehicles rises, leading to reduced consumer confidence and spending, higher transportation costs and general price rising.

Future and alternative sources of energy
Some experts argue that the world is heading towards a global energy crisis due to a decline in the availability of cheap oil and recommend a decreasing dependency on fossil fuel. This has led to increasing interest in alternate power/fuel research such as fuel cell technology, hydrogen fuel, biomethanol, biodiesel, Karrick process, solar energy, tidal energy and wind energy. To date, only hydroelectricity and nuclear power have been significant alternatives to fossil fuel (see Future energy development), with big ecological problems (residues and water spending). Hydrogen gas is currently produced at a net energy loss from natural gas, which is also experiencing declining production in North America and elsewhere. When not produced from natural gas, hydrogen still needs another source of energy to create it, also at a loss during the process. This has led to hydrogen being regarded as a 'carrier' of energy rather than a 'source'.
There have been alarming predictions by groups such as the Club of Rome that the world would run out of oil in the late 20th century. Although technology has made oil extraction more efficient, the world is having to struggle to provide oil by using increasingly costly and less productive methods such as deep sea drilling, and developing environmentally sensitive areas such as the Arctic National Wildlife Refuge. The world's population continues to grow at a quarter of a million people per day, increasing the consumption of energy. The per capita energy consumption of China, India and other developing nations continues to increase as the people living in these countries adopt western lifestyles. At present a small part of the world's population consumes a large part of its resources, with the United States and its population of 296 million people consuming more oil than China with its population of 1.3 billion people.
Efficiency mechanisms such as Negawatt power can provide significantly increased supply. It is a term used to describe the trading of increased efficiency, using consumption efficiency to increase available market supply rather than by increasing plant generation capacity.

Energy Crisis In Pakistan

Energy resources have depleted! Whatever resources are available are simply too expensive to buy or already acquired by countries which had planned and acted long time ago. Delayed efforts in the exploration sector have not been able to find sufficient amounts of energy resources. Nations of the world which have their own reserves are not supplying energy resources anymore; only the old contracts made decades ago are active. Airplanes, trains, cars, motorbikes, buses and trucks, all modes of transportation are coming to a stand still. Many industries have closed due to insufficient power supply. Price of oil has gone above the ceiling. At domestic level, alternate methods like solar, biogas and other methods are being tried for mere survival.
The above is a likely scenario of Pakistan and around the globe after 25 years. A pessimistic view, but realistic enough to think about and plan for the future. But are we doing anything about it? Lets have a look at the current energy situation of Pakistan and the world.
Pakistan’s economy is performing at a very high note with GDP growing at an exceptional rate, touching 8.35% in 2004-05.In its history of 58 years, there has been only a few golden years where the economy grew above 7%. This year official expectations are that GDP growth rate will be around 6.5 – 7.0%. For the coming years, the government is targeting GDP growth rate above 6%. With economy growing at such a pace, the energy requirements are likely to increase with a similar rate. For 2004-05, Pakistan’s energy consumption touched 55.5 MTOE (Million Tons of Oil Equivalent).
The energy consumption is expected to grow at double digit if the overall economy sustains the targeted GDP growth rate of 6% by the government. Pakistan’s energy requirements are expected to double in the next few years, and our energy requirements by 2015 is likely to cross 120MTOE. By 2030, the nation’s requirement will be 7 times the current requirement reaching 361MTOE. Pakistan’s energy requirements are fulfilled with more than 80% of energy resources through imports.
On the other hand, international oil prices have not only broken all records but are touching new highs, with every news directly or indirectly affecting the black gold industry. Moreover, speculators all around the world expect oil prices to touch $100 per barrel in medium term. With concerns over Iran’s nuclear program, terrorist issues in Nigeria and high economic growth in China & India and their ever rising energy requirements, oil prices don’t see any another way but to shoot upwards.
What is the government doing to ensure a sustainable supply of energy resources for economic growth? What strategic steps are being taken to acquire energy resources in future? Is private sector willing to invest in Pakistan’s oil industry? What are the incentives being offered to the foreign players to continue working in the exploration sector? What hurdles are stopping other big players around the world to enter Pakistan? What is the role of gas distribution companies so far? Are the citizens of Pakistan being robbed by energy giants with ever rising utility bills? What should be the real price of petroleum, kerosene and other oil products in Pakistan? When will the nation have “load shedding free” electric supply? Have we been able to make long term contracts with the countries to provide uninterrupted supply of energy resources? Will the government be able to provide enough sources to the citizens for a sustainable economic growth? Have we lost the race for acquiring maximum energy resources for future survival?


Pakistan: Power crisis feared by 2007

The country may plunge into energy crisis by the year 2007 due to rising electricity demand which enters into double digit figure following increasing sale of electrical and electronic appliances on lease finance, it is reliably learnt Thursday.

“The country may face energy crisis by the year 2007 following healthy growth of 13 per cent in electricity demand during the last quarter, which will erode surplus production in absence of commissioning of any new power generation project during this financial year,” informed sources told The Nation.

As per Pakistan Economic Survey 2003-04, electricity consumption has increased by 8.6 per cent during first three-quarter of last fiscal year. However, a top level WAPDA official maintained that electricity demand surged up to 13 per cent during last quarter.

The survey said household sector has been the largest consumer of electricity accounting for 44.2 per cent of total electricity consumption followed by industries 31.1 per cent, agriculture 14.3 per cent, other government sector 7.4 per cent, commercial 5.5 per cent and street light 0.7 per cent.

Keeping in view the past trend and the future development, WAPDA has also revised its load forecast to eight per cent per annum as against previous estimates of five per cent on average. Even the revised load forecast has also failed all assessments due to which Authority has left no other option but to start load management this year, which may convert into scheduled loadshedding over a period of two year, sources maintained.

The country needs a quantum jump in electricity generation in medium-term scenario to revert the possibilities of loadshedding in future due to shrinking gap between demand and supply of electricity at peak hours.

According to an official report, the gap between firm supply and peak hours demand has already been shrunk to three digit (440 MW) during this fiscal and will slip into negative columns next year (-441 MW) and further intensify to (-1,457 MW) during the financial year 2006-07.

The report maintained that the difference between firm supply and peak demand is estimated at 5,529 MW by the year 2009-10 when firm electricity supply will stand at 15,055 MW against peak demand of 20,584 MW.

Chairman WAPDA Tariq Hamid at a Press conference early this year warned about the possible energy crisis and stressed the need for ‘quantum jump’ in power generation. The experts say it could only be possible through a mega project of hydropower generation, otherwise the gap between firm supply and peak demand will remain on the rise.

They said the power generation projects, which are due to commission in coming years are of low capacity and will not be able to exceed the surging demand of the electricity.

They say no power generation project will commission during this fiscal year and the total installed capacity of electricity generation will remain 19,478 MW to meet 15,082 MW firm supply and 14,642 MW peak demand.

Giving details of projects, the sources said Malakand-lll (81MW), Pehur (18MW) and combined cycle power plant at Faisalabad (450MW) are planned to be commissioned during the year 2007. Mangla Dam raising project would also add 150 MW capacity to the national grid by June 2007. Besides this, Khan Khwar (72MW), Allai Khwar (121MW), Duber Khwar (130MW) and Kayal Khwar (130MW) are expected to be completed in 2008 along with Golan Gol (106MW) and Jinnah (96MW). Moreover, Matiltan (84MW), New Bong Escape (79MW) and Rajdhani (132MW) are expected by 2009 while Taunsa (120MW) is likely to be completed by 2010.
Sources say WAPDA has also planned to install a high efficiency combined cycle power plant at Baloki (450MW), which is expected to be completed by 2010. In addition of these, power plant 1 & 2 of 300 MW each at Thar Coal with the assistance of China are also planned for commissioning in 2009, sources said. Moreover, efforts are also under way with China National Nuclear Corporation for the construction of a third nuclear power plant with a gross capacity of 325 MW at Chashma, they added.

When contacted, a WAPDA official said there is no power shortage in the country at present as the Authority still has over 1,000 MW surplus electricity. However, he admitted that the shortage may occur in the year 2007 and onward and said the Authority will utilise all options including running of IPPs plant at full capacity to avert any possible crisis.

About the system augmentation to bring down line losses, the official said the Authority would spend Rs 3.5 billion on augmentation of distribution lines this fiscal while another Rs 5 billion will be consumed on transmission lines. “We have been negotiating Rs 9 billion loan with a consortium of local banks to upgrade and augment the power transmission system,” he disclosed. The official further said that five new transmission lines of 220-KV would be installed by the end of 2004, that would ensure smooth supply to the consumers. He expressed full trust on present transmission and distribution system and said it could easily sustain the load of total installed power generation in the country

Culture of Pakistan

The society and culture of Pakistan (Urdu: ثقافت پاکستان) comprises numerous diverse cultures and ethnic groups: the Punjabis, Kashmiris, Sindhis in east, Muhajirs, Makrani in the south; Baloch and Pashtun in the west; and the ancient Dardic, Wakhi and Burusho communities in the north. These Pakistani cultures have been greatly influenced by many of the surrounding countries' cultures, such as the Turkic peoples, Persian, Afghan, and Indians of South Asia, Central Asia and the Middle East.


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In ancient times, Pakistan was a major cultural hub. Many cultural practices and great monuments have been inherited from the time of the ancient rulers of the region. One of the greatest cultural influences was that of the Persian Empire, of which Pakistan was a part. In fact, the Pakistani satraps were at one time the richest and most productive of the massive Persian Empire. Other key influences include the Afghan Empire,


href="http://en.wikipedia.org/wiki/Mughal_Empire" title="Mughal Empire">Mughal Empire and later, the short lived but influential, the British Empire.
Pakistan has a cultural and ethnic background going back to the Indus Valley Civilization, which existed from 2800–1800 B.C., and was remarkable for its ordered cities, advanced sanitation, excellent roads, and uniquely structured society. Pakistan has been invaded many times in the past, and has been occupied and settled by many different peoples, each of whom have left their imprint on the current inhabitants of the country. Some of the largest groups were the 'Aryans', Greeks, Scythians, Persians, White Huns, Arabs, Turks, Mongols, Afghans, Buddhists and other Eurasian groups, up to and including the British, who left in the late 1940s.
The region has formed a distinct cultural unit within the main cultural complex of South Asia, the Middle East and Central Asia from the earliest times, and is analogous to Turkey's position in Eurasia.[1] There are differences in culture among the different ethnic groups in matters such as dress, food, and religion, especially where pre-Islamic customs differ from Islamic practices. Their cultural origins also reveal influences from far afield, including Tibet, Nepal, India and eastern Afghanistan. All groups show varying degrees of influence from Persia, Turkestan and Hellenistic Greece. Pakistan was the first region of South Asia to receive the full impact of Islam and has developed a distinct Islamic identity, historically different from areas further west.[1]

Ancient sites in Pakistan include: Zorastrian Fire temples, Islamic centres,shia shrines/ Sufi Shrines, Buddhist temples, Sikh, Hindu and Pagan temples and shrines, gardens, tombs, palaces, monuments, and Mughal and Indo-Saracenic buildings. Sculpture is dominated by Greco-Buddhist friezes, and crafts by ceramics, jewellery, silk goods and engraved woodwork and metalwork.
Pakistani society is largely multilingual, multi-ethnic and multicultural. Though cultures within the country differ to some extent, more similarities than differences can be found, as most Pakistanis are mainly of Aryan heritage or have coexisted side by side along the Indus River for several thousand years, or both. However, over 60 years of integration, a distinctive "Pakistani" culture has sprung up, especially in the urban areas where many of the diverse ethnic groups have coexisted and in many cases, intermarried. Education is highly regarded by members of every socio-economic stratum, with the country now having a literacy rate of 55%, up from 3% at the time of independence. Traditional family values are highly respected and considered sacred, although urban families increasingly form nuclear families, owing to socio-economic constraints imposed by the traditional culture of the extended family.
The past few decades have seen emergence of a middle class in cities such as Karachi, Lahore, Rawalpindi, Hyderabad, Quetta, Faisalabad, Sukkur, Peshawar, Sialkot, Abbottabad and Multan. Rural areas of Pakistan are regarded as more conservative, and are dominated by regional tribal customs dating back hundreds if not thousands of years.
“Pakistan’s culture is again unique like the rest of the country. Pakistan’s geography is the meeting point of South Asia, Central Asia and West Asia/Gulf. Its culture could be termed as a combination of sub continental, Islamic, Regional, English and more recently global influences. Let us consider them piecemeal. The newly born Pakistan had to have a sub continental leaning, having been a part of for last 5000 years of its civilization. However, the Indus Valley, present day Pakistan, culture was different from the rest of North India or South India”. (Quoted Pakistan’s Identity, History and Culture, from the famous book Gwadar on the Global Chessboard by Nadir Mir).